FEATURED THIS WEEK : KATE BERNHEIMER & ANDREW BERNHEIMER
In the spirit of the winter holidays, we are pleased to present, over the course of the week, three "architectural fairy tales," reimagined by New York firms. Collected by writer Kate Bernheimer and architect Andrew Bernheimer, all of the tales explore, in words and images, the "promise of a magical home." The first installment, on the hut of the Russian witch Baba Yaga, is by Andrew Bernheimer.
KATE BERNHEIMER, ANDREW BERNHEIMER & GUY NORDENSON AND ASSOCIATES
Our holiday week of architectural fairy tales concludes here, with Guy Nordenson and Associates re-envisioning — and re-engineering — the tower in "Rapunzel." This will be Places' last post of 2011 as well. Happy New Year!
KATE BERNHEIMER, ANDREW BERNHEIMER & LEVEN BETTS WITH BRET QUAGLIARA
Continuing our winter holiday week of architectural fairy tales, on the theme of magical houses, we present the second installment, in which New York architects David Leven and Stella Betts reimagine "Jack and the Beanstalk."
KATHLEEN ROBBINS & MARY CAROL MILLER
For several years photographer Kathleen Robbins and writer Mary Carol Miller have been focusing on the cotton farms of their native Mississippi. Theirs is a changing landscape and vanishing livelihood, the cotton farmers, in Miller's words, "as scarce now as the hulking, steel-framed gins that once dotted the flatlands between Memphis and Vicksburg. Most of the gins are now empty, rusting shells, and the men who steered their wagons under the canopies have died or retired or moved on to a more forgiving crop."
A poem about Eastern European immigrants in the American Midwest: "They came for land. For hog-high wheat to Dixon, Weeping Water, Garland Falls; / came to Midland hamlets, made their farms from bogs & marshes, / fens & bottomland: immigrants from Kraków, Darkov, Lasko ..."
In the third and last installment of this latest series on buildings and landscapes, David Heymann analyzes the very different ways in which works of sculpture and works of architecture occupy the landscape. And he looks closely at a grain elevator, and shows how a form which we usually experience as a familiar and even neighborly presence can come to seem evil.
Earlier this fall, on Places, Reinhold Martin explored how architects and urban designers might contribute their expertise to the proliferating Occupy protests here and abroad. Now, following the eviction of encampments from multiple U.S. cities, he looks at what might happen next — how the movement can confront the structural inequities of transnational capitalism and "build something new out of obsolete forms."
Go on, tempt the fates. Enter the show celebrating the best design ever printed on Mohawk paper. Enter here >>
The place to go for t
he latest and most trusted information regarding sustainability in our industry.eQ from Sappi >>
PLACES ARCHIVE: WINTER 2001
A critique of New Urbanism focusing not on its traditionalism but on the unsustainability of its planning models.
Arizona State University, The Design School
We are engaged in a new paradigm for the teaching and research of design in the 21st century. Located within one of the nation’s largest and fastest growing universities and set in the context of one of the country’s most rapidly urbanizing metropolises, The Design School offers degrees in architecture, industrial design, interior design, landscape architecture, urban design, and visual communication (graphic) design. Our school brings together all of these design disciplines, with one unified faculty, working together to create a new vision of how we educate the next generation of designers. We are the most comprehensive and collaborative design school in the country.